Wednesday, November 30, 2011

Backseat Drawing Game

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Spooked The Ghosts Of Waverly Hills Sanatorium

  • (From the producers of DEATH TUNNEL ) This program premiered on the Sci-Fi Channel here on June 2006, to great ratings and fanfare. The program is a chilling ghost documentary/expose based on the true events surrounding WAVERLY HILLS SANATORIUM, located in Louisville, Kentucky. This former Tuberculosis Sanatorium is where over 60,000 patients died form miss-treatment and horrific experime
Death Tunnel follows a group of college kids who have to spend a night in a haunted sanatorium. An upscale college initiation party strands five girls in the 'Scariest Place in the World.' Within the five floors of an abandoned hospital built in 1910, haunted by five hosts of its tortured past. As the students, one by one, become victims of its tragic history, they soon uncover a shocking link they all may have to its past - a five hundred foot, underground body chute built to remove the dead bodies of its p! atients. When each door opens up, new terror and each corridor leads to unimaginable horror and the only way out is through the Death Tunnel.Ring around the Rosie and Death Tunnel both on separate discs in 1 boxFrom the creators of Children Of The Grave, The Possessed and The Haunted Boy. SPOOKED as seen on SyFy. See, Hear & Fear inside the infamous Waverly Hills Sanatorium. This highly acclaimed documentary follows Hollywood filmmakers, The Booth Brothers as they uncover the shocking truth within the haunted halls of The Scariest Place On Earth, Waverly Hills Sanatorium, a monster of a building where it is said over 63,000 people died. Some say the DEAD are still there!
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American Conspiracies: Lies, Lies, and More Dirty Lies that the Government Tells Us

  • ISBN13: 9781616082147
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Warner Home Video Release Date: 06/30/2009 Run time: 135 minutes Rating: RWhat is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20-million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, along with fellow superstar Julia Roberts, for this typically glossy, entertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure named Jonas (Patrick Stewart) and a sec! ret program of government-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA. Confidential cowriter Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff ShannonWhat is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20-million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, along with fellow superstar Julia Roberts, for this typically glossy, entertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure n! amed Jonas (Patrick Stewart) and a secret program of governmen! t-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA. Confidential cowriter Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff ShannonA CONSPIRACY OBSESSED CABDRIVER NAMED JERRY FLETCHER BELIEVES HEHAS AN INEXPLICABLE CONNECTION TO A JUSTICE DEPARTMENT ATTORNEY,ALICE SUTTON. HE KEEPS TRYING TO WARN HER ABOUT IMPENDING CONSPIRACIES EVEN THOUGH SHE GENTLY BUT FIRMLY DISMISSES HISCONCERNS.What is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20-million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, along with fellow superstar Julia Rober! ts, for this typically glossy, entertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure named Jonas (Patrick Stewart) and a secret program of government-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA. Confidential cowriter Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff ShannonWhat is it about director Richard Donner that Mel Gibson enjoys so much that he's appeared in five of Donner's films? Is it the on-set pranks? Could it be the big-budget perks and $20-million paychecks? Or is it just a well-stocked catering table? Whatever the case, the Lethal Weapon star and director teamed up again, a! long with fellow superstar Julia Roberts, for this typically g! lossy, e ntertaining but ultimately hokey thriller. Gibson plays New York cab driver Jerry Fletcher, whose wacky belief in conspiracies finally hits on a coincidental truth involving an evil figure named Jonas (Patrick Stewart) and a secret program of government-funded mind control. Roberts plays the Justice Department attorney who finally believes in Jerry's paranoid ramblings. With a plot (from LA. Confidential cowriter Brian Helgeland) that's a lot of fun as long as you don't think about it too critically, Conspiracy Theory benefits immeasurably from the charisma of its high-magnitude stars. --Jeff Shannonset of 4 dvd's

Seven weeks on the New York Times bestseller list: Jesse Ventura tells it like it is, and this time he tackles our government’s biggest secrets.

In this explosive account of wrongful acts and ensuing cover-ups, Jesse Ventura takes a systematic look at the wide gap between what the government knows and when the government! knows it, and what is revealed to the American people and when it is revealed. The media is complicit in these acts of deception, often refusing to consider alternate possibilities and dismissing voices that diverge from public opinion. In American Conspiracies, Ventura looks closely at the theories that have been presented over the years and examines the truth, as well as the lies.

The assassinations of Abraham Lincoln, the Kennedys, and Martin Luther King Jr.â€"these cases and more need to be re-examined in Ventura’s eyes. Was Watergate presented honestly, or was the CIA involved? Did the Republican Party set out to purposefully steal two elections? Has all of the evidence on 9/11 been presented, or is there another angle that the media is afraid to explore? And finally, is the collapse of today’s financial order and the bailout plan by the Federal Reserve the widest-reaching conspiracy ever perpetrated? Nothing gets by Jesse Ventura in Am! erican Conspiracies.
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Harry Potter and the Chamber of Secrets (Single-Disc Widescreen Edition)

  • The next installment in the Harry Potter series finds young wizard Harry Potter (DANIEL RADCLIFFE) and his friends Ron Weasley (RUPERT GRINT) and Hermione Granger (EMMA WATSON) facing new challenges during their second year at Hogwarts School of Witchcraft and Wizardry as they try to uncover a dark force that is terrorizing the school. Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating:&nb
The next installment in the Harry Potter series finds young wizard Harry Potter (DANIEL RADCLIFFE) and his friends Ron Weasley (RUPERT GRINT) and Hermione Granger (EMMA WATSON) facing new challenges during their second year at Hogwarts School of Witchcraft and Wizardry as they try to uncover a dark force that is terrorizing the school.First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, sp! ecial effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast! -growing cast offers ample compensation, however, as does the ! late Ric hard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon
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Ear Force X41 (XBOX LIVE Chat + Wireless Digital RF Game Audio with Dolby Headphone 7.1 Surround Sound)

  • Dolby 7.1 Surround Sound & Dolby Pro Logic IIx with Digital RF wireless technology (up to 30' range) CD-quality pure-digital sound transmission Digital input “pass thru” allows the X41 and a home theater system to be connected simultaneously
  • Volume control on ear cup Independent game & chat volumes Built-in mic monitoring Mic mute Bass Boost (button on ear cup) Oversized ear cups Fabric mesh ear cushions Removable mic with flexible boom Headset powered by AAA batteries (over 20 hours)
  • Transmitter powered by USB (no AC adapter) Includes headphone output on transmitter (second set of headphones can be used simultaneously or in place of X headset) Chat Boost feature automatically increases incoming chat level as game sound increases
  • 50mm oversized speakers for deeper bass response
The bestselling author of Los Alamos and Alibi returns to 1945. ! Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. When an American soldier's body is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. The Good German is a story of espionage and love, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice, and what we mean by good and evil in times of peace and of war.
 Now a Major Motion Picture The bestselling author of Los Alamos and Alibi returns to 1945. Hitler has been defeated and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time i! n the city before the war, has returned to write about the All! ied triu mph while pursuing a more personal quest: his search for Lena, the married woman he left behind. The Good German is a story of espionage, love, and murder, an extraordinary re-creation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice and what we mean by good and evil in times of peace and of war.
This compelling thriller is both a touching love story and a masterful portrayal of the struggle for geopolitical control of postwar Germany. Network correspondent Jake Geismar, who covered Berlin before the war, has returned to the devastated city, ostensibly to cover the Potsdam Conference but actually to find the woman he loves. Miraculously, Lena Brandt, Jake's wartime mistress, has survived. However, her mathematician husband is missing, and both the American and Russian intelligence services are hunting him. When the bullet-ridden body of an American soldier washes up! on the shores of Potsdam in front of Jake's eyes just as Truman, Churchill, and Stalin convene the first postwar conference, Jake is plunged into a maelstrom of intrigue, corruption, and betrayal.

A brilliantly evoked portrait of a unique moment in history (the end of one war and the beginning of another), The Good German amply fulfills the promise shown by Joseph Kanon in his two earlier novels, Los Alamos and The Prodigal Spy. --Jane AdamsEar Force X41 Digital RF Wireless Game Audio+ Chat with Dolby 7.1 Surround Sound

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Cradle Will Rock

  • As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w
Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker
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The Anti-Christ

  • ISBN13: 9781936594269
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Lars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest! corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against age-old superstition; and a profoundly effective horror film.Lars von Trier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gains! bourg, one senses the ensuing downward spiral.

While the ! film's p lot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, the film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in ! violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbolism it successfully establishes. --Trinie DaltonLars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against ag! e-old superstition; and a profoundly effective horror film.Lar! s von Tr ier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gainsbourg, one senses the ensuing downward spiral.

While the film's plot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, t! he film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbol! ism it successfully establishes. --Trinie DaltonHere is! Friedri ch Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who beli! eved that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche

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Closing Escrow

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Tuesday, November 29, 2011

Fast Food Nation: The Dark Side of the All-American Meal

  • ISBN13: 9780060838584
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Fast food has hastened the malling of our landscape, widened the chasm between rich and poor, fueled an epidemic of obesity, and propelled American cultural imperialism abroad. That's a lengthy list of charges, but Eric Schlosser makes them stick with an artful mix of first-rate reportage, wry wit, and careful reasoning.

Schlosser's myth-shattering survey stretches from California's subdivisions, where the business was born, to the industrial corridor along the New Jersey Turnpike, where many of fast food's flavors are concocted. Along the way, he unearths a trove of fascinating, unsettling truths -- from the unholy alliance between fast foo! d and Hollywood to the seismic changes the industry has wrought in food production, popular culture, and even real estate.

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory far! ms where the potatoes and beef are grown, and into the slaught! erhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them pron! e to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed

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Hoodwinked (Widescreen Edition)

  • A new spin on an old fable. In this film, Red, Granny, The Big Bad Wolf and the Woodman, all face Detective Flippers as he attempts to determine the 'real' events of the Little Red Riding Hood story. Original songs and witty humor fill this fun and adventurous film. Format: DVD MOVIE Genre: CHILDREN Rating: PG Age: 796019791090 UPC: 796019791090 Manufacture
Meet Doogal, an adorable candy-loving mutt on a mission to save the world. In this delightful 3D computer-animated adventure, Doogal must prevent the evil sorcerer Zeebad (Jon Stewart) from freezing the earth forever. Joining Doogal (Daniel Tay) on his quest are pals Dylan (Jimmy Fallon), a guitar-playing rabbit, Ermintrude (Whoopi Goldberg), an opera-singing cow, and Brian (William H. Macy), a bashful snail. Hopping on a magic train (Chevy Chase), they travel over ice-capped mountains, navigate fiery pits of lava, and sail across va! st oceans on the journey of a lifetime. Along the way, they learn that the most powerful weapon of all is their friendship â€" which even Zeebad’s magic cannot destroy.A herd of American celebrities--from Whoopi Goldberg to Kevin Smith--have been corralled to redub Doogal, formerly a CGI cartoon from England called The Magic Roundabout based on a French stop-motion tv show from the 1960s called Le Manege Enchante. The title character is a dustmop with a face--presumably a dog of some sort--whose craving for sweets inadvertently traps his beloved owner Florence in a frozen carousel and unleashes an evil wintry wizard named Zeebad (voiced by Jon Stewart, The Daily Show). Doogal and his ragtag group of friends--singing cow Ermintrude (Goldberg, Sister Act), hopeful snail Brian (William H. Macy, Fargo), slacker rabbit Dylan (Jimmy Fallon, Fever Pitch), and a choo-choo train (Chevy Chase, Fletch)--must find three enchante! d diamonds to stop Zeebad and bring spring back to the world. ! Presumab ly, Doogal's target audience is the very young, yet the dialogue (rewritten for the American market) is crammed with allusions to adult fare like Saturday Night Live and Pulp Fiction. In fact--though it may have seemed differently with the original script--the entire movie comes across as an ungainly patchwork stitched together from scenes fromThe Wizard of Oz, Raiders of the Lost Ark, The Matrix, Ice Age, and much more. The effect is not so much funny as inexplicable. Also featuring the voices of Judi Dench (Iris), Ian McKellen (X-Men), and pop star Kylie Minogue. --Bret Fetzer

Features include:

•MPAA Rating: G
•Format: DVD
So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent ! storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the Big Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrog! ating the suspects: A Little Red in bell-bottoms (Anne Hathawa! y, El la Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly Sue), each of whom have very different reasons for ending up in that cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and other Rankin-Bass holiday specials. While sometimes awkward, there are also moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rap! per Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer
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Brother CS6000i Sew Advance Sew Affordable 60-Stitch Computerized Free-Arm Sewing Machine

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Harsh Times

  • (Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test.which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRA
(Action) Bale stars as an ex-Army Ranger who finds himself slipping back into his old life of petty crime and booze after a job offer from the LAPD evaporates. Honorable discharged, Homeland Security wants to recruit him for some special ops in Central America, but first he has to pass a urine test...which proves difficult. Film directorial debut for Ayer who has written such box office hits as TRAINING DAY, U-571 and THE FAST AND THE FURIOUSBleak as its South Central Los Angeles setting, Harsh T! imes is like a suicidal vortex swallowing men who ought to know better but can't stop their self-destruction. Christian Bale stars as Jim Davis, a stressed-out, former Army Ranger who becomes a very bad influence on his weak-willed buddy, Mike Alvarez (Freddy Rodriguez of Six Feet Under). Together the two meander through streets at night, getting drunk and stoned, finding trouble for its own sake and inviting danger as a ritual of machismo bonding. Mike's wife, Sylvia (Eva Longoria), a lawyer whom Mike, working as a telemarketer, put through school, is repelled by Jim and watches in pain as her spouse chooses a downward spiral over renewal and redemption with her. When Jim's application to join the L.A. police is turned down, he leads Mike into pure anarchy. An impractical change of fortune doesn't help any, and first-time director David Ayer, who wrote the screenplay for Harsh Times years before his script for Training Day, goes to some lengths, dr! amatically and visually, to convey Jim's unhinged condition. T! he drear iness of it all, and a sense that Bale has constructed--but not exactly lived in--another in his gallery of lost, misfit souls, makes it hard to connect with this film. Still, it is hard to turn away from these desperate and dangerous characters. --Tom Keogh
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Ant and Bully Goat (Tales with a Twist)

  • ISBN13: 9781846430794
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Lucas wishes he could squash that big bully Sid like a bug. But Lucas is too little, and so he bullies the ants instead. Feature film coming Summer 2006!

Lucas is picked on by the neighborhood bully, and in turn terrorizes the ant colony. The ants create a potion that shrinks Lucas to the size of an ant. They put him on trial, and find him guilty of crimes against the colony -- his sentence? To live and work as an ant! Lucas learns about teamwork and the importance of friendship--and in the end, he saves the colony and is returned to his normal size.
Based on the new movie from Warner Brothers!

This movie novel is adapted from the new Warner Brothers movie Ant Bully. Lucas, the new ! kid on the block is picked on by the neighborhood bully, and in turn terrorizes the ant colony. The ants create a potion that shrinks Lucas to the size of an ant. They put him on trial, and find him guilty of crimes against the colony -- his sentence? To live and work as an ant! Lucas learns about teamwork and the importance of friendship as he faces enemies like killer wasps, toads, and worst of all the exterminator. In the end, Lucas saves the colony and is returned to his normal size.
From Academy Award nominated filmmaker John A. Davis (Jimmy Neutron: Boy Genius) and producers Tom Hanks and Gary Goetzman (The Polar Express), The Ant Bully tells a witty and heartwarming story about a 10-year-old boy who embarks on a remarkable journey. New in town, friendless and tormented by a neighborhood bully, young Lucas Nickle has been taking out his frustration on the innocent ant hill in his yard. But one day the ants retaliate. Using a magic potion, they shrink Lucas do! wn to ant size and sentence him to live like an ant in their c! olony. I n this strange new world Lucas will learn important lessons about friendship, get a whole new perspective on life and ultimately find the courage to stand up for himself.

DVD Features:
Featurette
Screen Saver

An all-star cast--including such A-list stars as Julia Roberts, Nicolas Cage, and Meryl Streep--lend their voices to The Ant Bully. Social misfit Lucas gets bullied by the bigger boys in his neighborhood, so he takes out his frustrations on the only things around smaller than him: An ant hill on his front lawn. After being flooded and stepped on, the ants fight back when ant wizard Zoc (Cage, National Treasure) develops a potion that shrinks Lucas down to bug-size. But Zoc's thirst for revenge gets foiled when the beatific ant queen (Streep, The Devil Wears Prada) decrees that Lucas must learn to live like an ant, and Zoc's girlfriend Hova (Roberts, Runaway Bride) takes up the task of teaching the unhappy b! oy how to value others over himself. The animation of The Ant Bully makes good use of scale as Lucas grapples with the gigantic world around him, but the writing is not so imaginative; the name actors are thrown away on bland characters and lackluster dialogue. The lessons Lucas learns are admirable (and amusingly Communist in flavor), but the way he learns them feels contrived and uncompelling. It's too bad, because there probably won't be many other movies featuring the combined talents of Meryl Streep and Bruce Campbell (Army of Darkness). Also featuring Ricardo Montalban (Star Trek: The Wrath of Khan), Lily Tomlin (Nashville), and Paul Giamatti (Sideways) as a sleazy exterminator. --Bret FetzerBadger is happy living in his neat and tidy burrow - until Big Bad Bully Goat decides to move in! Bully Goat has such a fearsome reputation that even Badger's biggest friends are too scared to help. All seems lost until help arrives fro! m a very unexpected quarter and Badger realises that size isn'! t everyt hing. This traditional Iberian tale is retold with a twist by storyteller, poet and anthologist Andrew Fusek Peters.
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Edward Scissorhands [DVD] Full Screen 10th Anniversary Edition

  • Full Screen Anniversary Edition (2005)
  • Audio Commentary by Tim Burton & Danny Elfman
  • Featurette & Concept Art
  • Languages: English, Spanish & French. Subtitles: English & Spanish
  • Original Theatrical Trailer & TV Spots
Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp! ), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fanta! sy, but Edward Scissorhands is more tender and personal! than th e others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fanta! stical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly! against the outsider when he starts to feel his own desires, ! particul arly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistib! le charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her,! where she hopes to help him with his pasty complexion and tho! se nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for t! he monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be p! erched above a pastel-colored suburb inhabited by breadwinning! husband s and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to fil! m, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follo! ws a young man named Edward (Johnny Depp), who was created by ! an inven tor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerEdward Scissorhands (Full Screen Anniversary Edition), 2005 release by 20th Century Fox Home Entertainment.
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Angel-A

  • From the director of The Professional and The Fifth Element comes a stunning, sexy tribute to the healing power of love. When Andr , a down-on-his-luck gambler, dives into the icy Seine to end it all, he winds up instead rescuing Angela, a gorgeous, mysterious blonde. Filled with renewed passion for life, they set out to settle Andr 's scores as they wander the City of Lights. Along the way, A
From the director of The Professional and The Fifth Element comes a stunning, sexy tribute to the healing power of love. When André, a down-on-his-luck gambler, dives into the icy Seine to end it all, he winds up instead rescuing Angela, a gorgeous, mysterious blonde. Filled with renewed passion for life, they set out to settle André's scores as they wander the City of Lights. Along the way, André finds himself, but he still has some questions about his leggy, lovely companion -can sh! e really be as heavenly as she seems? Filled with wit, warmth and eye-popping visuals, Angel-A shows just how high you can soar when passion takes flight.It's a Wonderful Life meets Wings of Desire in French director Luc Besson's Angel-A, a surprisingly charming fable of low-life redemption. The low-life in question is André (Jamel Debbouze, from Amelie), a mousy, disheveled Parisian scam artist who's deeply in debt to various underworld thugs. Suicide seems like the best available option, but just as he's about to leap into the Seine, he encounters Angela (Danish model/actress/filmmaker Rie Rasmussen), a leggy blonde beauty who's going to change André's life in ways he never expected. Filmed in gorgeous black and white in a shimmering Paris that seems almost completely depopulated (most of the filming took place in early-morning sunlight), Angel-A is a rough-edged yet ultimately sweet-natured tale of two chatty characters who find new h! ope through mutual devotion, and that's likely to disappoint a! ny Besso n fans who are expecting another high-octane crime thriller like Leon--The Professional. And yet, Besson's tenth film has a light, feathery quality that works in its favor, even when the characters lack interest and their scenes together grow slightly redundant. Debbouze is perfectly cast as a likable loser who deserves a break, and Rasmussen (who memorably appeared in Brian De Palma's Femme Fatale, wearing nothing but lavish diamonds and a killer smile) is, to say the least, angelically seductive. How well you respond to this romantic fantasy will depend on how attracted you are to these characters, but if you give Angel-A a chance, you might find it to be a worthy companion to Richard Linklater's Before Sunrise and Before Sunset, two other appealing films about love, set in, respectively, Vienna and Paris. --Jeff Shannon
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Monday, November 28, 2011

Good

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The Cat in the Hat

  • Hardcover
  • Juvenile beginning reading
  • Stories with verses
  • Rhymed verses.
  • English


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 82 minutes
The Cat in the Hat is a marketing ploy disguised as a wildly designed movie for hyperactive kids, and it could use a dose of Ritalin. It hardly matters, though, because kids will surely enjoy the rampant romp that occurs when the top-hatted feline convinces young Sally (Dakota Fanning) and Conrad (Spencer Breslin) to wreak havoc in the home their mother (Kelly Preston) has neatly prepared for an upcoming party. It's all in the name of fun, and while Seuss's classic rhymes are relegated to voice-over narration, director Bo Welch capitalizes on his background as one of Hollywood's most gifted production designers (with credits including Edward Scissorhands and! Men in Black), turning the Seussian town of "Anville" into a playful pastiche of pastels. As played by Mike Myers under layers of fur and latex, Dr. Seuss's mischievous Cat is mayhem personified, and the movie suffers from his anything-goes approach to getting a laugh. And though Myers delivers a few laughs while channeling voices from his own comedic repertoire (including "Coffee Talk" maven Linda Richman), a little of this Cat goes a long way, and he nearly wears out his welcome. --Jeff ShannonPoor Dick and Sally. It's cold and wet and they're stuck in the house with nothing to do . . . until a giant cat in a hat shows up, transforming the dull day into a madcap adventure and almost wrecking the place in the process! Written by Dr. Seuss in 1957 in response to the concern that "pallid primers [with] abnormally courteous, unnaturally clean boys and girls' were leading to growing illiteracy among children, The Cat in the Hat (the first Ra! ndom House Beginner Book) changed the way our children learn h! ow to re ad.
He may be an old standby, but he never lets us down. When in doubt, turn to the story of the cat that transformed a dull, rainy afternoon into a magical and just-messy-enough adventure. There's another, hidden adventure, too: this book really will help children learn to read. With his simple and often single-vowel vocabulary, the good Doctor knew what he was doing: hear it, learn it, read it--laughing all the way. The Cat in the Hat is a must for any child's library.
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A Christmas Story Nightlight

  • Leg lamp night light is approximately 9 inch tall.
  • Made of plastic with nylon fringe around lamp shade.
  • Plugs into standard outlet comes with light bulb.
  • This is an officially licensed, "A Christmas Story" product.
  • Warning: small parts not for children under 3 years of age.
A gift. The baby. The pageant. The parties. The worship. The afterglow. The story. These are the elements of almost every Christmas. In Finding Christmas, award-winning author James Calvin Schaap takes a look at each of these elements through seven stories that show how imperfect people can find joy and grace in an imperfect world.

His eyes turn on an outgoing bus driver, a passionate mother, a daughter reluctant to return to church, and even his own assumed-mediocre performance at a Christmas pageant. Along the way, readers see how the amazing message of Christmas can be found in the! oddest of places. This heartwarming read is both moving and magical and will help readers usher in a joyful Christmas season even amidst the howling winds of winter.A gift. The baby. The pageant. The parties. The worship. The afterglow. The story. These are the elements of almost every Christmas. In Finding Christmas, award-winning author James Calvin Schaap takes a look at each of these elements through seven stories that show how imperfect people can find joy and grace in an imperfect world.

His eyes turn on an outgoing bus driver, a passionate mother, a daughter reluctant to return to church, and even his own assumed-mediocre performance at a Christmas pageant. Along the way, readers see how the amazing message of Christmas can be found in the oddest of places. This heartwarming read is both moving and magical and will help readers usher in a joyful Christmas season even amidst the howling winds of winter.A gift. The baby. The pageant. The parties. The worship. T! he afterglow. The story. These are the elements of almost ever! y Christ mas. In Finding Christmas, award-winning author James Calvin Schaap takes a look at each of these elements through seven stories that show how imperfect people can find joy and grace in an imperfect world.

His eyes turn on an outgoing bus driver, a passionate mother, a daughter reluctant to return to church, and even his own assumed-mediocre performance at a Christmas pageant. Along the way, readers see how the amazing message of Christmas can be found in the oddest of places. This heartwarming read is both moving and magical and will help readers usher in a joyful Christmas season even amidst the howling winds of winter.This Christmas Story Nightlight lights the way to the bathroom on cold winter nights with a whimsical leg lamp! Everybody loves watching Ralphie's misadventures each year in the film A Christmas Story, so the leg lamp night light makes a fun gift as well. Or you can brighten your sleeping home with a little spark of movie magic!
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Catfish in Black Bean Sauce

  • PG-13
  • 119 mins.
  • 2001
In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel's brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance with Abby's older sister Megan… and that this romance, conducted over the phone and the Internet, will lead to something far more troubling. It woul! d be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 01/04/2011 Run time: 88 minutes Rating: Pg13The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance wi! th Abby's older sister Megan… and that this romance, conduct! ed over the phone and the Internet, will lead to something far more troubling. It would be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerDwayne and his sister are Vietnamese siblings who were adopted by an African-American couple. Now in their mid-20s, they both have chosen different paths, but when they learn that their biological mother is coming to Los Angeles, they eagerly await the reunion. This drama is both funny and moving in an emotionally rew! arding journey through the tapestry of one group of immigrants searching for what it means to call themselves a family.
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Finishing the Game

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Bruno

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
Oscar® nominee and Golden Globe® winner Sacha Baron Cohen (Borat, Da Ali G Show and Talladega Nights) brings you the comedy that has started more conversations, generated more controversy and dared to go further than ever before! As brüno travels the world in search of fame, everyone he encounters â€" celebrities, politicians, Hasidic Jews, terrorists and cage fighters â€" becomes a stepping-stone to stardom, with hilarious results! So prepare yourself for nonstop laughs in the film Peter Travers of Rolling Stone says should be “Numero uno on your funny-time list!”The brilliant British comedian Sacha Baron Cohen dips into his stable of pre-existing characters and comes up with a big-screen vehicle for Brüno, a gay Austrian fashionista. Brüno is blond, fame-hungry, and prone ! to wearing unexpected combinations of lederhosen and hot pants. But it's his runway disaster with an all-Velcro suit that gets him barred from the Milan fashion scene and leads to the cancellation of his TV show. ("For the second time in a century, Austria had turned on its most famous man," he complains.) Clearly, he needs to go to America and share his philosophy--or at least become a celebrity in whatever way possible. Brüno rolls out in a fashion similar to Borat, a combination of a scripted through-line interspersed with scenes of Baron Cohen improvising with people who don't realize they're being set up, Candid Camera-style. About half the time, this reaps some healthy laughs: a sequence with Brüno sitting down for a conversation with a "de-programmer" who claims to cure people of their homosexuality is on-topic, and there's a wild series of interviews with parents so desperate to get their kiddies into showbiz they'll agree to all manner ! of dangerous and irresponsible childcare. A lot of the humor i! sn't abo ut Brüno's gayness at all; Baron Cohen is at his best when displaying freakish comic bravery (sitting across from a terrorist, he advises that "Your King Osama looks like a dirty wizard"). But the other half of Brüno simply misses the movie's best targets--homophobia and celebrity culture--by miscalculating the nature of ambush comedy. When Baron Cohen gets former Presidential candidate Ron Paul in a hotel room and begins to undress, Paul isn't showing bigotry by storming out (except in his language); he's understandably reacting to obnoxious behavior in a supposedly professional situation. Too many set-ups fall short of the mother-lode pay dirt that Borat so frequently hit, leaving this a distinctly lesser item in the Baron Cohen portfolio. --Robert Horton

Stills from Bruno (Click for larger image)

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Good Dick

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Sunday, November 27, 2011

The Complete Cat's Meow: Everything You Need to Know about Caring for Your Cat

  • ISBN13: 9780470641675
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Predators, Book One Micah Lasiter won’t let age or physical wear and tear slow him down. Presented with the chance to be stronger than ever before, he doesn’t hesitate to join the Predator Projectâ€"not that refusing is an option. Too bad nobody warned him about the possible side effects. Dr. Rebecca Southerby works with cats. Big cats. She’s not sure why a scientific research organization wants a zoologist on staff but the great perks make it easy to overlook a few peculiarities. What’s shocking is finding her one-night stand at the secret lab and discovering how much he’s changed. Ensnared in a strange new reality, they’ll have to work together to bring down the corrupt organization and u! ntangle a web of secrets with the power to either bind them togetherâ€"or kill them.Predators, Book One Micah Lasiter won’t let age or physical wear and tear slow him down. Presented with the chance to be stronger than ever before, he doesn’t hesitate to join the Predator Projectâ€"not that refusing is an option. Too bad nobody warned him about the possible side effects. Dr. Rebecca Southerby works with cats. Big cats. She’s not sure why a scientific research organization wants a zoologist on staff but the great perks make it easy to overlook a few peculiarities. What’s shocking is finding her one-night stand at the secret lab and discovering how much he’s changed. Ensnared in a strange new reality, they’ll have to work together to bring down the corrupt organization and untangle a web of secrets with the power to either bind them togetherâ€"or kill them.This ultimate celebration of the cat features witty quotes about felines and images by three of the world s m! ost beloved animal photographers. Whether playing, pouncing, o! r just p urring contentedly, these are some of the most adorable kittens and cats ever to grace the printed page.The all-in-one resource for cat owners

Do you consider cats valued members of the family? Do you want to ensure you're giving your beloved feline friend the very best possible care? Then this all-in-one, comprehensive cat care guide is for you!

From grooming to litter box issues to nutrition and much more, The Complete Cat's Meow covers all the bases to raising and caring for kitties. It also shows you how to introduce a new kitten to other pets, handle behavioral problems, and make life comfortable for cats of all ages.

  • Covers everything cat owners need to know about health, nutrition, behavior, and training
  • Compelling photos of a wide variety of breeds
  • Other titles by Arden: The Irrepressible Toy Dog; Small Dogs, Big Hearts

Whether you're a veteran cat owner or thinking about adding a feline to your family, The Complete ! Cat's Meow is your one-stop guide to comprehensive cat care.

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Big Fan

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web log free