Saturday, November 12, 2011

Girl with a Pearl Earring, Deluxe Edition

  • ISBN13: 9780452287020
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Delft Holland 1665. seventeen-year-old Griet must work to support her family and becomes a maid in the house of Johannes Vermeer where she gradually attracts the master painter s attention. Johannes and Griet must hide their inspiration of each other from his volatile wife Catharine. The wealthy and troublemaking Master van Ruijven senses the intimacy between the artist and his maid and contrives a paintings ever created but at what cost?System Requirements: Running Time 100 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 012236155225 Manufacturer No: 15522You wouldn't think a movie could look like a Vermeer painting, but Girl with a Pearl Earring is filmed with an amazing range of lumi! nous glows that evoke the Dutch artist's masterworks. Of course, it helps that much of the movie centers on Scarlett Johansson (Lost in Translation, Ghost World), whose creamy skin and full lips have a luminosity of their own. Johansson plays Griet, a maid in the household of Johannes Vermeer (Colin Firth, Bridget Jones' Diary, Fever Pitch), who finds herself in a web of jealousy, artistic inspiration, and social machinations. Though the pace is slow, Girl with a Pearl Earring genuinely conveys some sense of an artist's process, as well as offering many chaste yet sensual moments between Firth and Johansson. Also featuring Essie Davis as Vermeer's bitter wife and Tom Wilkinson (In the Bedroom) as a wealthy patron with eyes for Griet. --Bret FetzerA Deluxe Edition of the National Bestseller with Over 2 Million Copies Sold:
• Eight Pages of Full-Color Plates Include Every Vermeer Painting Discussed in the Book
• Fre! nch Flaps
• Rough Front
• Larger Trim Size
•! Premium Stock
• With a New Foreword

Celebrate Tracy Chevalier’s modern classic Girl With A Pearl Earring, featuring a gorgeous new edition illustrated with eight pages of Vermeer’s masterworks. History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. The story of Griet, whose life is transformed by her brief encounter with a genius as she herself is immortalized in canvas and oil, is new again.With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries--and it is this magnetic painting that l! ies at the heart of Tracy Chevalier's second novel of the same title.

Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant--and ultimately has Griet sit for him as a model. Chevalier vividly evokes the complex domestic tensions of the household, ruled over by the painter's jealous, eternally pregnant wife and his taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic. Still, Girl with a Pearl Earring does contain a final delicious twist.

Throughout, Chevalier cultivates a limpid, painstakingly observed style, whose exactitude is an effective homage to the painter himself. Even Griet's most humdrum duties take on a high if unobtrusive gloss! :

I came to love grinding the things he brought! from th e apothecary--bones, white lead, madder, massicot--to see how bright and pure I could get the colors. I learned that the finer the materials were ground, the deeper the color. From rough, dull grains madder became a fine bright red powder and, mixed with linseed oil, a sparkling paint. Making it and the other colors was magical.
In assembling such quotidian particulars, the author acknowledges her debt to Simon Schama's classic study The Embarrassment of Riches. Her novel also joins a crop of recent, painterly fictions, including Deborah Moggach's Tulip Fever and Susan Vreeland's Girl in Hyacinth Blue. Can novelists extract much more from the Dutch golden age? The question is an open one--but in the meantime, Girl with a Pearl Earring remains a fascinating piece of speculative historical fiction, and an appealingly new take on an old master. --Jerry Brotton

Thrilla in Manila

  • Officially Licensed
  • Highest Quality Recording
Studio: Lions Gate Home Ent. Release Date: 12/29/2009 Run time: 100 minutes Rating: RHe rocked the sport, shook the world, and changed their lives. Now, several decades after they met in the ring, ten of the sport's finest fighters tell what it was like to battle Muhammad Ali, the man many consider the best boxer ever. This brutally honest documentary recounts Ali's incomparable journey as seen through the eyes of those who stepped through the ropes and into history. Join these respected fighters as they weigh in on "The Greatest" and pay tribute to a living legend in this powerful and unforgettable film.

WHEN WE WERE KINGS - DVD MovieDecades ago, documentary filmmaker Leon Gast attempted to complete a feature about the 1974 "Rumble in the Jungle" championship bout between boxers Muhammad Ali and George Foreman in Kinshasa, Zaire. Sundry complications, though, held up the project until its release in 1996. It was well worth the delay. From Gast's per! spective of modern history, the six weeks Ali and Foreman were! forced to spend waiting in Africa for their fight to take place now looks like an important moment in America's cultural understanding of African American roots. In a nutshell, Ali had been stripped of his heavyweight champion title because his opposition to the Vietnam War-era draft had landed him in prison. Reigning champ Foreman agreed to a Don King-promoted match in Kinshasa, but after all parties got there the fight was put off. Gast captures the charismatic Ali, in the ensuing days and weeks, going out among the people and getting to know them while the more reclusive Foreman keeps to his own company. Meanwhile, King brings over black American artists such as James Brown and the Spinners to mix it up with African musicians. The sense of excitement and connection is thrilling, as is the boxing footage of Foreman and Ali finally taking swings at one another in a titanic duel. Writers George Plimpton and Norman Mailer, each of whom was covering the fight as journalists, are on h! and to recollect the details. Whether you're a fight fan or not, this is a unique experience and a fascinating insight into America's sense of identity. --Tom Keogh 'Smokin' Joe Frazier and Muhammad Ali fought three times, but it was their third and final epic encounter in the searing heat of the Philippines on October 1, 1975, that cemented
their rivalry and ended so dramatically that it continues to
provoke controversy. Combined with electrifying archival footage and exclusive interviews, Thrilla in Manila is Joe Frazier's story an absorbing, sad account of bitterness, religion, politics and racism, conveying both the depths of their rivalry as well as the explosive racial politics in America at the time. The pair had once been friends, with Frazier supporting Ali
when he was stripped of his boxing license for refusing to fight in Vietnam. But once Ali was back in the ring, their friendship soon turned into a vicious feud: Ali accused Frazier
of being a! traitor to his people and went from an anti-war and civil rig! hts lead er to an opportunist and narcissist willing to do anything to promote himself in the spotlight.

Charlie Bartlett : Widescreen Edition

  • Widescreen
The kids at Western Summit High have "issues," and newcomer Charlie Bartlett is coming to their rescue. With a briefcase full of prescription pills and a head full of pop psychology, this rebel with a cause brings hilarious help to the student body and unending grief to their neurotic principal, Mr. Gardner (Robert Downey, Jr.). Suddenly, Charlie is the hottest man on campus and he's even caught the eye of Gardner's sultry daughter. An outrageous send-up of today's Prozac generation, Charlie Bartlett has your prescription for laugh-out-loud insanity!The ghost of Ferris Bueller haunts Charlie Bartlett. In John Hughes' classic comedy, a wily principal chases a clever student all over Chicago. In editor-turned-director Jon Poll's darker-hued enterprise, the hero of the title (Huff's preternaturally poised Anton Yelchin) gets kicked out of private school for selling fake IDs, so! his heavily-medicated mother (a reliably excellent Hope Davis) transfers her son to a public institution. Looking like a junior stockbroker in navy blazer and attaché case, he turns into a bully piñata, until he joins forces with surly dealer Murphey (Walk the Line’s Tyler Hilton) to sell prescription medication and split the profits (Charlie secures the meds from an assortment of pill-pushing psychiatrists). By listening to their problems and offering well-researched advice, the unlicensed doc becomes the most popular kid on campus. He even captures the interest of self-possessed drama queen Susan (The 40-Year-Old Virgin’s Kat Dennings), daughter of booze-soaked Principal Gardner (Robert Downey Jr. in top form). Gardner doesn't trust Charlie, but lacks the evidence to confirm his suspicions--so he sets out to secure some. Once he installs surveillance cameras, the game is on. By the end, the two competitors will have both lost... and won. Aside from Ferris Bueller's Day Off, Charlie Bartlett recalls! Wes And erson's Rushmore, except Poll's Gustin Nash-penned satire trades counter-cultural cool for trenchant commentary about quick-fix solutions to deep-seated dilemmas. That means fewer laughs than its forerunners, but Charlie Bartlett presents a more penetrating analysis of today’s generation gap. --Kathleen C. Fennessy

Beyond Charlie Bartlett


More "School Days" Comedies

The Charlie Bartlett Soundtrack

More from MGM


!
Stills from Charlie Bartlett







Specs: Audio: English: 5.1 Dolby Surround
Language: Dubbed: English
Theatrical Aspect Ratio: Disc 1: Fullscreen 1.33:1, Disc 2 & 3: Widescreen:! 1.85:1, Disc 4: Widescreen: 2.35:1
Episodes-Bonus Featu! res:
  • Disc 1 Side A: Charlie Bartlett
  • Disc 1 Side B: Charlie Bartlett
  • Disc 2: Back to School
  • Disc 3: Home for the Holidays
  • Disc 4 Side A: Richard III
  • Disc 4 Side B: Richard III
Nick and Norah's Infinite Playlist is a comedy about two people thrust together for one hilarious, sleepless night of adventure in a world of mix tapes, late-night living, and, live, loud music. Nick (Michael Cera) frequents New York's indie rock scene nursing a broken heart and a vague ability to play the bass. Norah (Kat Dennings) is questioning pretty much all of her assumptions about the world. Though they have nothing in common except for their taste in music, their chance encounter leads to an all-night quest to find a legendary band's secret show and ends up becoming the first date in a romance that could change both their lives.In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two! high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena). He's committed to making more self-pitying mix CDs until his bandmates convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Rais! ing Victor Vargas aims to please several audiences at onc! e. It st arts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own identity, though Cera and Dennings make for an appealing couple and the supporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy

Stills from Nick & Norah's Infinate Playlist (click for larger image)







More Nick & Norah's Infinate Playlist


Paperback Book

Soundtrack CD

DVD

Natural Fruit Flavors Collection Set of 6

  • Natural
  • Gluten Free
  • Flavors
  • Extracts
  • Kosher
The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hil arity.The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with! Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town with dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hilarity.

Bonus Features include: Mike Judge's Secret Recipe Featurette The Ingredients For A Classic Mike Judge FilmMike Judge is in a familiar zone in Extract, which is sort of a close relative to his cult classic Office Space. But this time the main character owns the company, instead of being a cog in the machinery, and middle age presents a different set of challenges. Joel (Jason Batem! an) concocted a new approach to soda pop, and his small compan! y is bub bling along nicely--in fact, there's talk he might get bought out by General Foods…unless something were to come along to really, you know, screw up the deal. Hmm, what could go wrong? Joel is sexually unfulfilled with his wife (Kristen Wiig), there's a new temp worker (Mila Kunis) at the factory who favors minimal clothing, and Joel's best friend (Ben Affleck), a slacker bartender, is bursting with bad advice. Oh, and there's an employee (Clifton Collins Jr.) contemplating a lawsuit because of a workplace accident that left him missing an important piece of equipment. The film's plot machinations are less enticing than the moment-by-moment behavioral observations, always a Mike Judge specialty. Examples: the chattering of the factory floor workers, who could easily have stepped out of a King of the Hill cartoon, or Joel's suburban neighbor (David Koechner at his chummiest), the kind of yakety-yak blowhard who simply will not shut up, however many polite messages ! he receives. It might not amount to a whole lot, and somehow the gifted Bateman seems underused here (Affleck, on the other hand, is having a ball). But Extract seems destined for cable-TV repeatability, much like its corporate cousin. --Robert Horton

Stills from Extract (Click for larger image)
 






The creator of Office Space, writer-director Mike Judge (Beavis and Butt-head), moves from cubicles to the assembly line with Extract-- his outrageous return to workplace comedy, featuring a hilarious ensemble cast of quirky characters. About to sell his successful flavor extract company, life is almost sweet for Joel (Jason Bateman) until a freak on-the-job accident happens. Add to that his bored wife (Kristen Wiig), his laid-back, stoner best friend (Ben Affleck), a sexy con artist (Mila Kunis) who blows into town wi! th dollar signs in her bedroom eyes, and a dumb gigolo and life as he knows it turns sour. Filled with laugh-out-loud one-liners and raunchy comedy, Extract is 100% pure hil arity.Six 1 FL OZ bottles contained banana, blueberry, cherry, mango, raspberry and strawberry flavors

Edge of Darkness

  • The bullet that killed his daughter was meant for Boston cop Thomas Craven. That s what police brass and Craven himself think, but that s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn t a target before, he and anyone linked to his inquiry now is. Mel Gibson stars in
The bullet that killed his daughter was meant for Boston cop Thomas Craven. That’s what police brass and Craven himself think, but that’s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn’t a target before, he--and anyone linked to his inquiry--now is. Mel Gibson stars in his first screen lead in eight years, making Craven’s grief palpable and his quest for paybac! k stone-cold and relentless. Martin Campbell (Casino Royale) directs from a screenplay co-written by The Departed’s William Monahan. Gibson is back, taking us to the edge…and into the sinister darkness.The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved y! et scarcely knew, he discovers she'd been preparing to turn wh! istleblo wer on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does! decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson

Domino Express Racing

Arcor Caramel, 2 LB

Footprints: Scripture with Reflections Inspired by the Best-Loved Poem

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