Wednesday, October 26, 2011

Fashion of the 70s (Icon)

  • ISBN13: 9783836514323
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
No more trekking around the shops baffled by too much choice, this guide to the UK's top fashion shops and design talent reviews the most cutting-edge fashion retailers and profiles up-and-coming young designers to keep you ahead of the game. The shops reviewed in this guide have been selected on the basis of exceptional service, superior interiors, specialist stock and exquisite ambience, and, through the use of a system of icons their products are easily identifiable. Also included are interviews with international gurus and trend dictators .

The time when "fashion" was defined by French designers whose clothes could be afforded only by elite has ended. Now designers take their cues from mainstrea! m consumers and creativity is channeled more into mass-marketing clothes than into designing them. Indeed, one need look no further than the Gap to see proof of this. In The End of Fashion, Wall Street Journal, reporter Teri Agins astutely explores this seminal change, laying bare all aspects of the fashion industry from manufacturing, retailing, anmd licensing to image making and financing. Here as well are fascinating insider vignettes that show Donna Karan fighting with financiers,the rivalry between Ralph Lauren and Tommy Hilfiger, and the commitment to haute conture that sent Isaac Mizrahi's business spiraling.

The iconic British style magazine "i-D" delivers a guide to the world's most important designers. "Fashion Now 2" is illustrated with the very best fashion photography and styling, extracted from the archives of the magazine that celebrates its 25th anniversary in 2008.
Just as a person contrives a style, the purpose of which is integra! tion and the effect of which is presentation, so a nation coll! ectively projects an appearance, a "national" style. Such styles are made of many layers. The deepest layer is composed of the immutable and the traditional. Nearer the surface floats fashion, changeable but sometimes more abiding. And frothing on the surface is fad.

By definition a fad is novel and appears from outside. Fads must have instant appeal and do not have a long shelf life. In Japan, an assortment of islands, the outside is often the quality that defines the inside.

Japan has a history of chasing fads and fashion. Since the 19th century, foreign products have been welcomed in, from the cult for "squeaky shoes" in the mid-19th century to the current fad for virtual reality girlfriends. Japan’s mandate was that, having been opened late, it had to hurry to catch up. Fads provide both a social distraction and a sense of cohesion, indicating not only foreign importation but also native adaptation.

The Image Factory is both an investigation into fa! ds, fashions and style â€" such as US Army surplus uniforms, "pachinko", mutating hair colors â€" and an appreciation of their inherent meanings. The Japanese have seized upon fads and fashion as an arm of enterprise to a much greater extent than elsewhere in the world. Ephemerality has been put to work, the transient has become industrialized, and the results are highly conspicuous.
From hippie to disco to punk, this look book relives 1970s fashion via clothing advertisements from the decade. In between its covers youll find bell-bottoms and feathered hair mingling with platform shoes, Diane Von Furstenberg wrap dresses and endless amounts of polyester (what were they thinking?).

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